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Grateful Dead Live at Shrine Auditorium on 1978-01-11




Disc One
Set 1:
d1t01 - Tuning
d1t02 - New Minglewood Blues
d1t03 - Dire Wolf
d1t04 - Looks Like Rain
d1t05 - They Love Each Other
d1t06 - Big River ->
d1t07 - El Paso
d1t08 - Brown Eyed Women
d1t09 - Let It Grow

Disc Two
Set 2:
d2t01 - Tuning
d2t02 - Samson And Delilah
d2t03 - Sunrise
d2t04 - Tuning
d2t05 - Terrapin Station ->
d2t06 - Playing In The Band ->
d2t07 - Jam ->
d2t08 - Drums -> Space ->

Disc Three (Set 2 cont)
d3t01 - Saint Stephen ->
d3t02 - Not Fade Away->
d3t03 - Jam ->
d3t04 - Playing Reprise
~encore~
d3t05 - Passenger


Collection GratefulDead
Band/Artist Grateful Dead
Date January 11, 1978
Venue Shrine Auditorium
Location Los Angeles, CA

Source Analog Audience Source: FOB Master Cassettes (MAC) Analog Soundboard Source: Master Soundboard Cassette (MSC)
Lineage Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD  >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Soundboard Lineage: SBD >> MSC (dolby C) Soundboard Sound Preservation: MSC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taped by Rheinhart Holwein
Transferred by Transfer By: Bob Menke Mastering By: Derek McCabe Matrix By: Derek McCabe


Notes

The sbd source is new to circulation and is a master.

Reviews

Reviewer: gvtmule - - January 12, 2012
Subject: A favorite
One of my earliest tapes and still a favorite. This is a nice upgrade although at times it has a bit of that echo-y feel you sometimes get with a matrix. I personally prefer these compact rocking shows to the endurance tests they were doing in 73-74. Let It Grow is a highlight, almost fusionish. Every song is solid and the 2nd set just flows so smooth. This show has a nice distinct sound - the toms and cymbals, cowbell way up in the mix, the slightly distorted keyboard, Jerry's hoarse vocals. I love the guitar tones both Jerry and Bob dial in and the way they mesh. Note Bob's guitar is way out of tune when they break into Playin'. It doesn't matter - from that point on this show smokes. Passenger is such an awesome encore, why didn't they do it more?
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - DTS mixing by Kevin Tobin
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Source: Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
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Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand, back of floor center, directly behind the lighting board.
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